I’m sure that the baby boomer’s impact on the average age has something to do with rise of nostalgia in the entertainment industry, because over the past few years we’ve seen many attempts at ’setting things right’. Like someone flipping a switch, the entertainment industry looked back at their great creations that were somehow devalued by follow up sequels or cultural changes with a mission to bring them back to life.
Personally, I like when something that was ruined is repaired. I hate the idea of throwing something out just because its old, or just because it has a few knicks and scratches. Finding new value in something old is just as good as creating something new. Thats why I want to point out those efforts to set things right. Here is a list of my favorite turn arounds in the entertainment industry over the past few years:
The Resurrected
Batman Begins
It had to happen for a few reasons. First, Christian Bale was too perfect for this part. Between Empire of the Sun and Shaft, it was as if Christian Bale was in training for this part. I would even go so far as to say that Christian Bale wasn’t cast for the part in a written movie as much as the producers looked at him and said, “lets make a new Batman movie”.
Secondly, Warner Bros. had been milking the quality of the original Batman for 15 years. Batman Returns, Batman Forever, Batman & Robin, Catwoman, each movie progressively worse and chronologically farther from the quality of the original. After George Clooney and Governor “Chilling Sound of your Doom” Schwarzenegger blew their noses on a film reel and released Batman & Robin, there was no possible way that Warner Bros. could release another Batman movie without restoring the allure first.
So when Batman Begins was announced, and I heard Christian Bale was casted for the part, I was as giddy as a Kennedy in a scotch factory. The movie turned out to be very good, and very different from the others. Unlike the others, the movie focused on how Bruce Wayne became Batman, not how Batman became George Clooney. Liam Neeson made a terrifying villian, Michael Caine sobered up for a few weeks to play the role of Alfred the Butler, and Gary Oldman was absolutely surprising in the role of Commissioner Gordon.
With “The Dark Night” being released next year as a sequal to Batman Begins, we may begin to see that downward spiral yet again. I would advise Warner Bros. to see this movie as closure and quit while they’re ahead, but we all know that there’s no money in that.
Rocky Balboa
I’ve mentioned before that I am a closet Rocky fan. It has little to do with the fact that I am from Philadelphia. Something to do with it, but not much. It is the perfect story of the modest underdog rising up to a challange, and also seizing an opportunity when it comes along. Rocky II was pretty good, a story about a man’s struggle between doing what he wants and doing what his wife wants. Rocky III was not so good but not so bad either, a story of Mr. T hitting on Rocky’s wife and Rocky taking offense. Rocky IV was an atrocity; it was Rocky’s attempt to end the cold war by beating up Dolph Lundgren. Rocky V doesn’t even quality as a movie in my mind.
Then 15 years went by and Rocky Balboa (Rocky XI) was announced. I was blown away by the fact that Sylvester Stallone would be in the movie, and fighting too. I am not going to provide another insightful review of the movie, I’ve done that once already in another blog entry. But I will say that it was good enough to wash the sour taste of Rocky V out of my mind.
Tomb Raider: Legends
Did you notice that in my introductory paragraphs that I did not use the word ‘movies’, but rather ‘entertainment’? This is because I wanted to point out the revival of the Tomb Raider video game series. The original was released in 1996 by Eidos Interactive and developed by Core Design, and became an instant success for two reasons.
First, the gameplay was far ahead of it’s time. No other developers dared to create an action-adventure that was as expansive or elaborate. In 1996, games were just beginning to explore the vast possibilities of the third dimension and Tomb Raider met and set the standard for the period. Secondly, Eidos tapped into the repressed sexual urges of the early teen gaming population by equipping Lara Croft with breasts-akimbo. The breasts looked like two soup cans with a towel over them, but that didn’t matter because no one playing the game had actually seen breasts.
The push-up polygons were enough to get the games off of the shelves, but when the gamers finally started playing with both hands they realized that they had purchased a fine game. This realization braught on a desire for more Tomb Raiders, and sequals were made as quickly as possible. I’m sure this part of the story is familar, as the sequals grew progressively worse.
Now in the video game world, its not only quality of gameplay that needs to be taken into account when developing a game, but quality of code. Tomb Raider sequals were not only bad, but buggy as well. Eidos was so pressed to release new versions, and Core Design just wasn’t good enough to handle the load. The games got to a point where finishing the game without crashing your computer was the goal of the game.
Eidos decided that enough was enough after their franchise lost focus with “Tomb Raider: Angel of Darkness” where Lara Croft was an undead vampire or something like that. Eidos turned to a new developer, Crystal Dynamics, to create a game worthy of bringing the franchise back to where it once. That led to the announcement and development of Tomb Raider: Legends. Although the original Tomb Raider was known for its novelty and uniqueness, I can easily say that Legends is the better overall game. Its just another example of fixing something that was broken.
Casino Royale
I have a well blog-umented relationship with the demise of the James Bond movies, and a thoroughly explained appreciation with the release of Casino Royle. It just so happens that the death and resurrection of James Bond fits perfectly into this blog entry. I don’t want this section to seem so much shorter than the others because I have already written everything I want to say elsewhere, so I will space out these links as much as possible:
John Rambo
Sylvester Stallone is at it again. I appreciate the effort of atoning for the Rocky series with Rocky Balboa (Rocky XI), but atoning for the Rambo series with John Rambo (Rambo IV) is going above and beyond the call of duty.
Rambo: First Blood was a clever movie; very cold and very brutish in its presentation. There was almost no character development as you learned more and more about John Rambo as the movie progressed. As it turned out, Rambo was a troubled war veteran who was discarded after the war was over and just lost his mind when he was taken in and punished by the police as a ‘drifter’. He ended up destroying a whole town, but somehow the filmmakers portrayed him in such a way as to make Rambo seem like the victim.
The subsequent Rambos were combustible action-packed death fests with Stallone mowing down wave after wave of bad guys in jungles and deserts, bleeding fashionably and sweating oil to look good in the sun. The plot became paper thin and even Sly had enough after the third Rambo. But the first Rambo movie left a character with emotions and a decent story dangling when Rambo was replaced with an action war hero in the second and third movies.
It appears that Sylvester Stallone wants to wrap things up right once more. According to the recently released trailer, this movie will be quite graphic. I don’t think it ties into the first story as well as I would have liked, but it does appear to have a story of its own. Instead of explaining everything in the trailer, here it is:
Honorable Mentions
Superman Returns
If I had to name a childhood hero, it would definately be Superman. I won’t explain why because it should be obvious to everyone.
So you would probably think that the announcement and subsequent release of a new Superman movie would be the event of the year for someone like me. I should be excited and jumping for joy; giddy like a Kennedy in a…oh I already used that one. Anyway, that wasn’t the case.
Casting Kevin Spacey as Lex Luther was a great decision, and while no one will ever replace Christopher Reeves as Superman, grabbing Brandon Routh from the depths of acting obscurity, rather than a big-name actor, was a example of a casting department really doing their homework. But I wasn’t excited. I wasn’t excited because the Superman character doesn’t mean Christopher Reeves to the new generation, it means Smallville. Throughout the movie you could tell that the story wouldn’t cross into that unemotionally repressed super-world of Superman because it would disconnect those new fans who fell in love with the soft and emotional Smallville.
John Ritter
If Superman was my hero, then Jack Tripper from Three’s Company was my friend with the dirty jokes. Jack Tripper was played by John Ritter, who the newer generation knows as the “dad” from “8 Simple Rules for Dating my Teenage Daughter”. When Three’s Company was taken off of the air, Ritter went on to star in a bunch of Made for TV movies and the ad campaign for “Where There’s a Will, There’s an A”. In other words,
John Ritter finally found his way back into popular television comedy with 8 Simple Rules. The show was very highly rated and was written very well. It showed that John Ritter, who made his name through physical comedy in Three’s Company, was capable of conventional humor through dialogue as well. But at the height of the show, he died due to heart problems and never got to finish his rise back into stardom. While his death made me unusually sad, I would have been more upset had he died as “that guy who played Jack Tripper 30 years ago”.
Live Free, or Die Hard 4
The Die Hard series of movies has a special place in my heart. The first of the series was an example of a perfect action movie. It was one vulnerable man surrounded by opposing forces, and he saved the day without magically dodging too many bullets. In fact, I would say that Die Hard is not only my favorite action movie, but also one of my favorite movies of any type.
Die Hard 3 was also a great action movie. This time it was the plot and the pace of the movie that really added value. Bruce Willis was constantly running around NYC diffusing threats while trying to catch Jeremy Irons without any real help. While this was going on, Jeremy Irons was laying down a plan, that was a bit too logical for a movie, to steal gold.
So am I excited about Die Hard 4? Eh…maybe I would be if it didn’t look so different from the others. Its a new director and a huge cast of characters, which is very uncharacteristic of a good Die Hard movie. A good Die Hard movie has Bruce Willis, a black sidekick, a European villian, and a police chief who acts as a skeptical thorn in Bruce Willis’ side. This one has “The Mac Guy” Justin Long. We’ll see how it turns out, but I’m keeping my optimism locked in the cautious box. Here’s a trailer:
Like to see
Police Academy
If any movie series was ripe for a return, its Police Academy. I’m sure that there are enough young actors out there to play the roles of a few eccentric police cadets. What I don’t want to see is another Will Ferrell/SNL movie with no substance, and I don’t want to see a remake with people portraying the original characters. I want to see a fresh faced, subtly humored movie with a story. It should be Raising Arizona flavored, with a hint of Mahoney.
Jean Claude Van Damme
I understand that people like to stick to what they’re good at, but isn’t there a limit to that? Jean Claude Van Damme is good at kicking people, ok, we get it. But his movies aren’t what they used to be, and he’s getting pretty old. There has to be more to what he does, and I think that there is a large audience of people who want to see Van Damme act in a serious movie, and I am pretty sure that he is good enough to get by with a decent script and some acting lessons.
Death Wish
I act like a movie snob from time to time. I have been heard telling people that I would watch a foriegn movie over an American movie any day, or complaining about lighting and music levels in movies. Its true, I’ve said those things and I’ve meant them at the time. But I would be lying if I said that I didn’t like to watch a good dumb action movie on TBS or TNT. I have seen Rush Hour more times than I have watched the news. So when you think of old dumb action movies that might stand a chance at a return, what do you think of?
Death Wish, of course. A movie that can be described in just a few words, Wife Killed Husband Rampage. Charles Bronson’s wife gets murdered, and he goes on a rampage, and thats it. But that was 30 years ago when people were easily aroused and excited. In the internet age where emotions are buried under layers of defense mechanisms, emotion is a little harder to reach when making movies.
So think of it, a man’s wife gets killed and he goes on a rampage. But if the man is not portrayed as a typical hero like before but as a good guy turned into a troubled villian, and Ethan Hawke is a cop who wants to bring him down but understands his position, then we might have a good movie. If you’ve ever seen Michael Douglas in Falling Down, you’ll know the kind of movie I’m talking about.
Conclusion!
The number 15 comes up a lot when it comes to remakes. Batman Begins was 15 years after the first Batman, Rocky Balboa was 15 years after the last Rocky, Smallville began its series 15 years after the last Superman movie. It seems like 15 is a magic number when it comes to nostalgic sentiments.
But in the face of growing support for independent movies, Netflix, and YouTube, movie makers need to realize that they aren’t dealing with the same audience as 15 years ago. This new audience won’t put up with bad sequals because they have easy access to quality independently developed films that are beginning to find a great deal of funding. The days where a production house could release any trash and expect people to watch are over. Once digital distribution becomes widely available, the choice between watching a bad Spiderman 5 and a good independent film will be an easy one to make.